Publications

The 'invisible hand', Adam Smith's metaphor for the morality of capitalism, is explored in this text as being far more subtle and intricate than is usually understood, with many British realist fiction writers (Austen, Dickens, Gaskell, Eliot) having absorbed his model of ironic causality in complex societies and turned it to their own purposes.

For much of the nineteenth century, the nervous system was a medical mystery, inspiring scientific studies and exciting great public interest. Because of this widespread fascination, the nerves came to explain the means by which mind and body related to each other. By the 1830s, the nervous system helped Americans express the consequences on the body, and for society, of major historical changes. Literary writers, including Nathaniel Hawthorne and Harriet Beecher Stowe, used the nerves as a metaphor to re-imagine the role of the self amidst political, social and religious tumults, including debates about slavery and the revivals of the Second Great Awakening. Representing the 'romance' of the nervous system and its cultural impact thoughtfully and, at times, critically, the fictional experiments of this century helped construct and explore a neurological vision of the body and mind. Murison explains the impact of neurological medicine on nineteenth-century literature and culture.

Arab immigrants began to arrive in the United States in the late-nineteenth century and in Britain after World War Two. Those immigrants have produced a vast literature that remains relatively unknown outside of specialist circles. Like other ethnic literatures, Arab-American and Arab-British writing treats a variety of themes such as the immigrant experience, the lives of minorities, cultural misconceptions, and stereotypes. In addition to that, Arab immigrant writing also reveals unique perspectives on complex issues that continue to shape our world today, such as inter-faith relations, the tangled politics of the Middle East, the role played first by the British empire then by the United States in the region, the representations of Arabs and Arab culture in British and American societies, and the status of Muslim minorities there. Although those issues have acquired an unprecedented urgency in the post-9/11 period, they have preoccupied Arab-American and Arab-British writers since the early days of the twentieth century. While this book is not a comprehensive literary history, it offers a critical reading of that tradition from its inception to the present. Drawing upon postcolonial, translation, and minority discourse theory, Immigrant Narratives investigates how key novelists and autobiographers have described their immigrant experiences, and in so doing acted as mediators and interpreters between cultures, and how they have forged new identities in their adopted countries.

Until now, the study of American Indian literature has tended to concentrate on contemporary writing. Although the field has grown rapidly, early works—especially poetry—remain mostly unknown and inaccessible. Changing Is Not Vanishing simultaneously reinvents the early history of American Indian literature and the history of American poetry by presenting a vast but forgotten archive of American Indian poems. Through extensive archival research in small-circulation newspapers and magazines, manuscripts, pamphlets, rare books, and scrapbooks, Robert Dale Parker has uncovered the work of more than 140 early Indian poets who wrote before 1930.

Changing Is Not Vanishing includes poems by 82 writers and provides a full bibliography of all the poets Parker has identified—most of them unknown even to specialists in Indian literature. In a wide range of approaches and styles, the poems in this collection address such topics as colonialism and the federal government, land, politics, nature, love, war, Christianity, and racism. With a richly informative introduction and extensive annotation,Changing Is Not Vanishing opens the door to a trove of fascinating, powerful poems that will be required reading for all scholars and readers of American poetry and American Indian literature.