Block Reference
  • 2024-01-12 - Yoonsuh Kim (English)
    On November 7, 2023, the croak of a coqui greeted me as I entered the lecture hall for Ramón E. Soto-Crespo’s Modern Critical Theory talk, “Environmental Humanities and the Caribbean.” According to Soto-Crespo, the coqui and the Puerto Rican parrot are only two of the animals who fill the soundscape in the El Yunque National Forest. Both animals are on the verge of being silenced due to...
  • 2023-12-02 - V Millen (PhD Student, English)
    On October 31, 2023, Penelope Deutscher gave the lecture “Revocability, Exception, Disqualifying Qualification: Grammars of Power After Foucault and Roe” for the Unit for Criticism’s Modern Critical Theory lecture series. As a Foucauldian scholar, Deutscher’s work traces power through Foucault’s original theory and the revised grammars that have come afterwards.  The MCT lecture comes from...
  • 2023-12-02 - Stephanie Pérez (PhD Student, Institute of Communications Research, College of Media)
    Especially relevant in the era of Coronavirus and current labor movements in the U.S., Shirl Yang (postdoctoral researcher at Washington University of St. Louis) posits that novels set in empty offices undo a longstanding relation between narrative uncertainty and the 18th century notion of the work ethic. In her lecture on October 3, 2023, for the Unit for Criticism and Interpretive Theory at...
  • 2023-11-13 - Debayudh Chatterjee (PhD Candidate, Department of English, UIUC)
    On November 5, 2023, as a part of the XXXII Annual Tagore Festival, the acclaimed thespian and film director Suman Mukhopadhyay, hosted by the University of Illinois, Urbana-Champaign, as this semester’s George A Miller Visiting Artist, staged a play titled...
  • 2023-11-01 - Laura M. Coby (PhD Candidate, English)
    On October 17, 2023, Professor Tamara Chaplin (History UIUC) presented her talk “Queering French History” as part of the Unit for Criticism and Interpretive Theory’s Modern Critical Theory lecture series. “How do I name the queer past?” This is a question Tamara Chaplin grapples with throughout her book Becoming Lesbian: A Queer History of Modern France. In her Modern Critical...
  • 2023-10-09 - Ashli Anda
    On Tuesday September 5, 2023, Professor Liat Ben-Moshe (University of Illinois, Chicago) delivered a lecture in the Modern Critical Theory lecture series for the Unit for Criticism and Interpretive Theory at the University of Illinois, Urbana-Champaign. Her talk was titled “Decarcerating Disability: Prison Abolition and Deinstitutionalization.” Quoted content is from the lecture unless noted...
  • Namita Gupta (PhD Student at the Institute of Communications Research)
    On 15 November 2022, at the penultimate Fall lecture in the Modern Critical Lecture series, art historian Lisa Rosenthal discussed the gendered gaze that beholds the female nude through a series of paintings from the early modern period. The lecture began with a viewing of Johan Joseph Zoffany’s oil painting The Tribuna of the Uffizi. This painting guided the selection...
  • Taisuke L. Wakabayashi (PhD Student in Landscape Architecture)
    On November 1, 2022, Zsuzsa Gille (Sociology, UIUC) delivered the Modern Critical Theory lecture entitled “The Material(ity) Turn” which centered around texts and theories about how humans-nonhuman assemblages form political powers. All images and quotes are from the lecture unless otherwise noted. Gille began by addressing the inseparability of the material from the social, showing two...
  • Ashli Anda (PhD Candidate in Philosophy)
    On Tuesday October 25, 2022, Professor Rubén Gaztambide-Fernández (Toronto) delivered “The Pedagogies of Solidarity,” a lecture about understanding and developing pedagogies of solidarity. Quoted content is from the lecture unless noted otherwise. All images are by...
  • Katie Worrall (PhD Student in Political Science)
    In her lecture titled “Marxism, Imperialism and the Beyond of Capitalism: Re-reading Rosa Luxemburg” Amy Allen implores scholars to move beyond the developmental arc of history, a theory of history borrowed from Karl Marx that Luxemburg embeds in her idea of the beyond of capitalism. Allen wants to understand what Luxemburg means by the beyond or outside of capitalism that is present in many of...
  • Jamie Keener (PhD student in English)
    On October 11, 2022, Cameron McCarthy spoke at the Unit for Criticism on “The Postcolonial Imagination: Tools for Conviviality.” Beginning with his own high school education in Barbados, McCarthy used the school’s entrance examination system and literary curriculum—both determined in England and centered on an English canon—as an entry point into his broader questions about postcolonial art and...
  • Emerson Parker Pehl (Ph.D. Student, English), enrolled member of the Cherokee Nation of Oklahoma
    On September 27th, Dr. Rosalyn LaPier (History UIUC), an enrolled member of the Blackfeet Tribe of Montana and Métis, delivered a Modern Critical Theory lecture entitled “Land as Text: Environmental Studies.” While “Indigenous” and “Native” are globalized terms, due to the scope of this blog post they are invoked throughout to...
  • Sayak Roy (PhD Student in Landscape Architecture)
    On September 20, 2022, Professor David Wilson (GGIS) delivered a Modern Critical Theory lecture entitled "The Advanced Capitalist City: Conceptual Innovations." David Wilson's articulation of the advanced capitalist city engaged with various important contemporary discourses via an investigation of the nexus of cities, people, and personal and scholarly experiences which shaped his...
  • Debayudh Chatterjee [PhD student, English (Literary Studies)]
    Suman Mukhopadhyay, the eminent film director and thespian from West Bengal, India, screened his latest release Nazarband (Captive/2020), a loose cinematic adaption of a short story by Ashapurna Devi, at Temple Hoyne Buell Hall on 15th September 2022. This Hindi film tracks the trajectories of two convicts, Vasanti Mahato (Indira Tiwari) and Chandu (Tanmay Dhanania), shortly after being...
  • Adrian Wong (PhD Student in the Institute of Communications Research)
    The trio ebb and flow through timbral scenes as if incessantly daydreaming across an eternal triptych, each panel briefly made visible by rumbling left-hand (LH) piano texturing arpeggios beneath transparent open fourths, fifths, and octaves in nightingales. Contrabass bowed tremolo glissandi converge with metal brushes on drum in a white noise of resonance. But these are not just any scenes....